James appears to be slowly losing the battle. The second issue is the growing conflict between James and Father Time. “I know what I go through, what I play through, and I don’t need to prove anything to anyone and I’m not going to prove anything to anyone.” “I don’t have to prove nothing to anyone,” Davis said.
He acts as if he doesn’t know, or care, that the entire NBA is questioning his fitness and his toughness. It’s troubling that Davis doesn’t seem to equally grasp the gravity of the situation. “Obviously the number one thing for us is getting AD healthy,” said James emphatically after Thursday’s finale.
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His lanky frame is obviously not fit for a full NBA schedule. Whatever he’s been doing in the offseason, it’s not working. He needs to build a body to match his $190-million contract. These Lakers failed to defend their title because Davis can’t stay healthy, James can no longer carry the team alone, and the front office surrounded them with some massive mistakes. These Lakers collapsed because they are built around one fragile star, one aging star, and a bunch of supporting pieces that never quite fit. The truth is more complicated, the reality more somber, the future terribly unsettled. The easy narrative is that the Lakers began the season wiped out from only a 71-day break after their championship - the shortest in league history - and then stumbled with injuries to Davis and James. It’s mind blowing, so surreal that many of the 8,550 fans stuck around afterward to stare at the empty court as if hoping somehow the Lakers would come back out and keep playing.Īt that point, public address announcer Lawrence Tanter intoned, “Ladies and gentlemen, one more applause for the defending champs.” Nine months after they danced off a court in the middle of Florida with the franchise’s 17th championship, the Lakers trudged off a court in downtown Los Angeles with one of the franchise’s greatest debacles. No, it is no joke that the favorites to repeat as NBA champions ended up as a punch line.
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It’s a solid reminder that performers such as Pablo are still human at the end of the day, and not just something to be objectified by hungry audiences.Davis was gone in the first quarter with a strained groin, and the Lakers were gone in the first round after a fractured season, wiped out by the Phoenix Suns 113-100 in Game 6 that gave the Suns a first-round series win 4-2. He shares stories of how his intensity has caused him issues in life and he speaks candidly about turning his life around. The very masculine looking performer at first seems intense until you get to know him and you see his funny and endearing side. Both men also open up about their upbringing as they explain why they decided to create ‘Baloney’, as well as their experiences on the gay scene in San Francisco and the different facets it contains.Įach of the men gets a chance to share their story and it’s Pablo Escobar (surely that can’t be his real name?) that really makes an impact. Creating a friendly and open environment, Phillis and Davis get the best out of their performers and they have a laugh along the way. They have the respect of their cast and manage to be able to separate out friendship from work. The bond between the creators and their cast gets a lot of airtime here. During the documentary we get to see Phillis and Davis trying to pull together a show that is going to delight audiences while separating themselves from a typical striptease show. Baloney – the revue show – combines striptease, burlesque and comedy for a show that strikes a chord with modern gay audiences and evolves as the social commentary around the gay community does. ‘Baloney’ is an undeniably charming documentary that doesn’t outstay its welcome but does really uncover just how much work goes into putting on a revue show. As well as providing a look at how Baloney comes together, Guerci invites each of the performers to share stories from their life allowing viewers a deeper look at the lives of gay men in the 21 st Century. Director Joshua Guerci takes viewers behind the scenes with co-creators Michael Phillis and Rory Davis as they prepare their show and perform in front of their adoring audiences. San Francisco’s Gay All-Male Revue Baloney is the subject of the documentary of the same name.